Showing posts with label LG Petrov. Show all posts
Showing posts with label LG Petrov. Show all posts

Wednesday, January 27, 2010

An Underestimated Album.


Same Difference is the fifth full-lenght Entombed album and the first after Nicke Anderson left the band to focus himself on The Hellacopters. There are many people that don't like this album and even hate it! There are some blogs that published the entire Entombed discography except for Same Difference.
I don't understand that. Ok, I must admit that this album is not the Death Metal fury for what Entombed is famous for, but still Same Difference is not that bad! I like this album a lot! There are great songs on it like Addiction King, The Supreme Good, 20/20 Vision and the depressive The Day, The Earth. Hell, there isn't a bad song on this album. This version contains the bonus track Vices By Proxy. Try for yourself and share your opinion. Enjoy!

This album marks the beginning of a new era for Entombed, one of the great originators of death metal as we know it. There is not much death metal about this album though, but rather an insight into a band that is trying to figure out what to do after losing one of its founders and main songwriters, in this case drummerboy Nicke Andersson, who decided to focus his efforts on his more commercialy successful rock n´ roll outfit The Hellacopters. His replacement was as you know Peter Stjärnvind, known from bands like Merciless and Face Down, a man who would later help steer Entombed back into the heavier branch of metal once again, but that is a different story. "Same Difference" instead displays the band in their most unheavy moment ever, something that could be sensed by simply looking at the cute dog on the cover, and is confirmed by the songs themselves. Entombed, at the time of the album´s release, recieved a lot of criticism from a rather large portion of the fans for mellowing as well as selling out, but have they really? Does the lack of heaviness (note, though, that this isn´t pop music, it is still heavy by "normal" musical standards) make for a bad album? I think not.

To begin with, this record clearly shows that the bands´ songwriting abilities did not go out the kitchen door together with Nicke, since there are some truly great tunes on this disc. The album is also great productionwise, with a more crisp and clean vibe than anything ever before heard by this band. It wouldn´t, of course, fit on records like "Left Hand Path" or in fact any of their other efforts, but manages to add significantly to the feel of "Same Difference". L-Gs voice isn´t as low-pitched as it usually is, but works great in songs like "Addiction King" and the title track. The songs are all rather slow and sometimes groovy, with the exception of "What You Need", a moderately fast number which add diversity to the record. This isn´t the way Entombed should sound, but as a one-off experiment, it stands as a nice, different album for the band, something to relax to when you are temporarily fed up with their otherwise intense music and just want to relax on the sofa. The feeling of this album makes it something you maybe want to listen to on a hungover sunday, instead of at a booze party two hours before you hit the town, which is where I preferably listen to other Entombed material. The only thing from keeping this a really solid effort are a couple of unnecessary filler tracks, but they´re not particularly bad either, just somewhat uninspired.

(By Julle at Encyclopaedia Metallum)

Entombed - Same Difference (1998)



Wednesday, August 12, 2009

This Is What LG Petrov Did During Clandestine.


During the recording of the Clandestine album, the vocalist LG Petrov has left/was kicked out of Entombed. He joined Entombed again before the recording of Wolverine Blues.
In his absence LG joined Comecon, a Death Metal band that used a drum computer. Comecon is very linked to Entombed. (See the band logo). After LG returned to Entombed, Comecon made two records with other singers. One of them was Martin van Drunen from Pestilence.

Comecon was a fairly minor band in the old Swedish scene, and if they were only semi-visible then, they've become invisible now. This is their best album, a borderline-classic with good songwriting, excellent production (which is a little cleaner than the standard for Sunlight), and enough unique and interesting touches to get your attention. Musically it's a midway point between classic Swedish death like Entombed or Dismember, and the early death/thrash of Pestilence (whose singer Martin Van Drunen is also the singer on this album - taking the place of LG Petrov). Tempos are generally mid or fast, no blast beats. Van Drunen's vocals are similar to what he did on Pestilence's "Consuming Impulse" - mid-pitched and hoarse.

The first Comecon album (Megatrends in Brutality) is also worth checking out, especially if you're an Entombed fan. But this is their high-water mark.

(From the web)


Comecon - Megatrends In Brutality (1992)




Wednesday, June 3, 2009

More great Swedish Metal!


Last weekend I went to the Neurotic Death Fest and saw Entombed for the fourth time. This time it was in a total different line-up. The only original members are LG Petrov (vocals) and Alex Hellid (guitar). I did not really know what to expect, because they always played with two guitarists. But they didn't disapoint me at all! I really enjoyed it!
It only was a bit too short. (LG did think the same I guess, cause he left the stage very angry).
Other good bands I've seen were: Demonical, Aborted and Rotten Sound. The big disapointment was Brutal Truth!
The Hollowman EP was released short before the Wolverine Blues Album.

After coming off the successful Gods of Grind tour in 1992 and seeing bassist Johnny Dordevic return to the band, the Swedish heavy metal band Entombed decided to release a six-song EP as their major-label debut (on Earache/Columbia). When the Hollowman EP appeared in 1993, it was shocking just how much the band's songwriting and overall sound had improved. The songs remained brutally heavy, but there was also a fresh originality now present. The EP contains a total of six tracks and is a mandatory purchase for Entombed fanatics, since four of them are exclusive non-album tracks. Highlights include an instrumental version of the classic Entombed song "Wolverine Blues" (it would become the title track of the band's next full-length album), the fast and furious "Bonehouse," and another instrumental, the Black Sabbath-like dirge "Hellraiser." Both of the instrumentals use spoken word dialogue to great effect, while showing off Entombed's talents as musicians in the process.
(By Greg Prato from All Music Guide)

Entombed -Hollowman EP (1993)