Showing posts with label Rock 'n' Roll. Show all posts
Showing posts with label Rock 'n' Roll. Show all posts

Wednesday, January 25, 2012

Turn It On


Check out this brand new band! It's coming from Montreal, Canada and this group of four is called Lion Farm. These guys play very nice Rock 'n' Roll with a Stoner Rock base, but there are also other elements, such as Hard Rock, Metal, Psychedelic and Space.
This EP contains four excellent songs with brilliant riffs and a great sound. These are catchy songs with great vocals.
A very impressive start of a new band! So keep an eye on Lion Farm! Enjoy!

Born out of a volcano of fire and fury, Lion Farm sinks its teeth into the jugular of Rock n’ Roll. With metal overtones and psychedelic underpinnings, Lion Farm claws their way down the mainline of anthemic rock.
Mike Foxxx and Malstain are longtime collaborators, first surfacing in the late 90s from the same fertile Toronto scene that spawned Peaches, Feist, Gonzales and Mocky. Their bands Rock ‘n’ Roll Bad Boy XXXpress and Seventy Whore were known by underground rock cognoscenti for their embrace of unabashed party-rocking in the po-faced indie-rock/post-rock era.

Pounding out catchy, heavy tunes, Lion Farm has quickly laid claim to the title of The Pride of Rock n’ Roll.
(Their bio)

Lion Farm - Lion Farm EP (2012)




Ride To Suicide


This was dropped in the C-Box a couple of hours ago. So thanks to the one who dropped it!
The Rockabones is a four piece band from Hannover, Germany. First Takes is the first demo by this band and it contains four tracks of high octane Riffrock with Stoner, Metal, Punk and Rock 'n' Roll influences.
These guys make quite a start with this demo. The sound is pretty good for a demo and the songs are really ass kicking. The vocals fit perfect with this straight forward Rock music. No further words are necessary here, go listen and... Enjoy!

In the summer of 2009 The Rockabones joined to realise their conception of rock music.
Informed by bands like AC/DC, Motörhead and Black Sabbath, they play Riffrock blended with Metal, Classic Rock, Punk and Stoner - loud, heavy & dirty!
The first Demo-EP 'First Takes' was finished in June 2011: 4 Tracks, 18 minutes - Straight Out Heavy Rock!
(Their bio)

The Rockabones - First Takes (2011)



Saturday, January 14, 2012

Your Heart Is Angry, But Your Mind Is Stoned


This single was posted at this blog about three years ago. The reason I repost this single is the fact that a copy was delivered by the mailman today.
500 Ft. Of Pipe was a Drug Rock band from Detroit, USA. This trio has released three full lenght albums, one EP and this single.
Side A of this single contains the song So Good. This is a pretty great song. And there is this track on side B: Your Heart Is Angry (But Your Mind Is Stoned). This song is so damned awesome. It is one of the best songs that is ever recorded. It is a hell of a Rock 'n' Roll song. Enjoy!

500 Ft. Of Pipe - So Good 7'' (2000)



Saturday, December 31, 2011

Go Down Records Compilation


So this is the end of the year 2011. I think this year was a great musical year with a lot of great releases.
I will not bother you with an end-of-the-year-list, but I will tell you what my favorite album of 2011 is: The debut album of the French band Mars Red Sky.

In this last post of 2011 I present you the free download compilation album that is offered by the Italian label Go Down Records. This compilation is a nice overview of what Go Down Records has released in their existance. These are 30 tracks of nice Stoner Rock, Psychedelic Rock and Rock 'n' Roll. Enjoy!

I'd like to wish you all a great 2012!

Go Down Records Compilation (2011)

Tracks: (Band / Track title / Album title)

1 Dome La Muerte And The Diggers / Session Man /Diggersonz
2 Muzzled / Gimme More / Reborn
3 The Morlocks / Dirty Red / Easy Listening For The Underachiever
4 Clepydra / Jimi Plays My Guitar / Marmalade Sky
5 Poison Deluxe / Mature Wine / The Three Dead Blues
6 Muffx / Like Before / Small Obsession
7 Maya Mountains / Wanna Know What I Know? / Hash And Pornography
8 Ojm / Oceans Hearts / Volcano
9 Small Jackets / Listen To The Rock / Cheap Tequila
10 Re Dinamite / Fuzzy Love / Split Connetion Vol.1 With Vic Du Monte's Persona Non Grata
11 Cut / Summertime / Annihilation Road
12 The Sade / Deaf Love / Damned Love
13 Link Protrudi & The Jaymen /Bandito /The Beast Of Link Protrudi & The Jaymen
14 The Last Killers /Flesh And Proud (Feat.Brian Auger)/Violent Years
15 The Shoes / Talk With You / The Shoes
16 Losfuocos / Revolution / Revolution Losfuocos
17 Pater Nembrot / Supercell / Sequoia Seeds
18 Vic Du Monte's Persona Non Grata / Barons &Bankers / Barons & Bankers
19 Glincolti / Ferma Un Momento / Visti & Imprevisti
20 The Strange Flowers / Hollywood / Vagina Mother
21 Gorilla / Hot Cars / Rock Our Souls
22 Veracrash / Beyond The Grave / 11:11
23 El Thule / Black Mamba / Green Magic
24 Underdogs / Fuck Coverband / Ready To Burn
25 King Size / Money Laundering / Guess It
26 Volcano Heat / The Sky / Vive Le Rock!
27 Fango / What I Think / Icarus
28 The Fuzztones / Me Tarzan, You Jane In Heat / Raw Heat
29 Autumn's Rain / Too Loud / Autumn's Rain
30 Horrible Porno Stuntmen / Camon / Unpublished Of Next Album Of 2012


Wednesday, November 23, 2011

Let It Rot


The next Heavy Rock contribution comes from Idyllwild, California, USA.
Throw The Goat is a quartet that plays energetic Stoner Rock with a Rock 'n' Roll attitude. This band has just released their first demo and it is immediatly a step in the right direction. This demo contains six catchy songs with nice guitar riffs, screamy vocals and a solid rhytm section.
Throw The Goat displays their capabilities with this demo. This band is for sure a promise for the future. Enjoy!

Throw The Goat - Demo Primero (2011)



Wednesday, September 21, 2011

Out In The Cold


This nice piece of vinyl was created by the Belgian band Solenoid. This five-piece band plays a combination of Metal and Stoner Rock. This has resulted in in an excellent album with very strong songs. Their music is pretty uptempo and straight-forward. Sometimes Solenoid takes you back to the eighties, because there are some traces of NWOBHM present in their music. Beside that, you can hear on this album also some influences like Thrash and Speed Metal.
According to their Facebook page, Solenoid is influenced by the following: Motörhead, Slayer, The Hellacopters, Iron Maiden, Mastodon, Supersuckers, Mercyful Fate, Black Sabbath, Zeke, Saxon, Corrosion of Conformity, AC/DC, High on Fire, Kiss, Trouble, Five Horse Johnson, Metallica, Discharge, Thin Lizzy, Hüsker Dü, Soundgarden, Entombed, Judas Priest, Kyuss, Dinosaur jr, Crowbar and Dio
But the question remains, is this more a Stoner Rock album or more a Metal album. It definitely points out towards Metal.
In any case, this is an excellent album with no-nonsense and kick-ass music. Enjoy!

New wave of what? British heavy metal? Not exactly...Solenoid emerge straight from the Belgian foundations of metal and rock.
Heavy Metal? Not quite… Solenoid carry more in their thick soup than the metal of their peers who are still stuck into the simple steel driven alternative of the heavy genre. This new wave of Belgian heavy rock ‘n roll could do the trick.

These five scruffy rock addicts had been playing in almost every guitar based band in and around their hometown Genk. Fucking up the best elements of whatever they were into at that time, Solenoid’s engine got oiled with the best of what was yet to come: a break necking view on the past decades of rock ‘n metal. How furious are Solenoid that they make Lemmy seem ironic and leave him ‘Out In The Cold’? They exhume the ‘Angelspray’ of the old dark clouded Sabbath. Even some blistering punkabilly swing or old school riffing taught by the iron lady of Dickinson and his gang.

Tours with Gwar, Anvil, Valis and a US tour with We’re All Gonna Die and labelmates Cortez already showed a great deal of Solenoid’s open mindedness, going from metal over rock to stoner. And if Chris Tsangarides (mix) doesn’t ring a bell, here you go: Judas Priest, Exodus, Thin Lizzy, Black Sabbath and …Solenoid all have Chris’ name mentioned somewhere in their liner notes. And after working with bands like Opeth, In Flames, Spiritual Beggars and The Haunted, Göran Finnberg mastered Solenoid’s debut album. With references like these you can’t go wrong.

No nonsense bullshit or over the top shredding posers but straight to the bone in your face heavy rock music as it was supposed to sound like when the foundations were laid.
(Their bio from MySpace)

Solenoid - Solenoid 12" (2008)



Tuesday, August 30, 2011

Bludd Sucker


Gorilla is a U.K. based band that plays some great Stoner Rock with a Rock 'n' Roll vibe. Rock Our Souls is their third album and it is released by Go Down Records.
The songs on this album are very good. Some tracks remind me a bit of Orange Sunshine, especially the song Bludd Sucker. The vocals on this track sound very much like Guy Tavares.
Nevertheless does Gorilla have a sound of their own, dispite the several influences that are present. Rock Our Souls is an excellent album with a great kick-ass spirit. Enjoy!

Rock Our Souls contains heavy doom, high energy aggressive, progressive and regressive songs, played in a timeless heavy rock style that Gorilla have made their own. Influences are clear to see, Budgie, Blue Cheer, Grand Funk Railroad, MC5, but played with a rough 'street punk' Motorhead, Pink Fairies, Crushed Butler attitude and style, and an authentic 'vintage' feel and sound. Capturing the essence of a classic era of '60s and '70s rock without sounding cliched is a ridiculously fucking hard, if not impossible self imposed task. But with Rock Our Souls, Gorilla have achieved exactly that. A brand new gem that sounds like a lost classic.

Capturing the essence of a classic era of 60's/70's rock without sounding cliched is a rediculously fuckin hard if not impossible self imposed task, but with ROS, Gorilla have achieved exactly that. A brand new gem that sounds like a lost classic.

THEY ALREADY HAVE PLAYED WITH: Fu Manchu, Ojm, Blue Cheer, Josiah, Brant Bjork & The Bros, Orange Goblin, The Heads, Colour haze, Hawkwind and many others.
(From Go Down Records)

Gorilla - Rock Our Souls (2008)






Monday, August 22, 2011

Big Cats On The Prowl


The next band contribution comes from the beautiful capitol of Greece, Athens.
Super Puma is an Alternative Experimental Rock 'n' Roll band with a pretty unique sound. The characteristics of this four-piece band are the great guitar riffs with nice drum rhythms and the awesome vocals. The sound of Super Puma contains also some elements of Punk and Blues.
Super Puma is not an everyday band, so I suggest you listen to this album and maybe you will appreciate Big Cats On The Prowl. Enjoy!

SuperPuma formed in the summer of 2007 and they play loud rock 'n' roll with experimental / blues and alternative / punk elements.
They have appeared occasionally in various Athenian venues.
SuperPuma are: Lefty (vocals), Danny (guitar), Billy (bass) and Nodes (drums).
In 2009 they recorded a four track demo in mini-cdr format and DIY feel entitled «Speed ​​The Plow».
They just completed their first full length album titled «Big Cats on the Prowl». It contains 9 new tracks and the first 500 copies come with a 36 page comic booklet.
(Their Bio)

Super Puma - Big Cats On The Prowl (2011)



Wednesday, July 13, 2011

Volcano


Two months ago I've posted the album Under The Thunder by the Italian band OJM.
Now I present you in collaboration with Go Down Records the latest album Volcano. The four guys of OJM are still improving themselves. The upward trend continues on with this album.
OJM offers with this album again some awesome Stoner Rock with several influences like Rock 'n' Roll, 70's Hard Rock, Psychedelic and even a bit of Grunge.
Volcano is a varied album with strong compositions. So it is needless to say that this album definitely is worth buying! Enjoy!

They called the album Volcano in honor of Iceland’s Eyjafjallajokull that wrought so much havoc on Northern Europe this past Spring, cancelling thousands of flights all around the world, including that which would have brought Catching to work with OJM in the flesh. Volcano was recorded at Red House Studio in Senigallia, and the four-piece wound up collaborating with Catching via Skype, presumably passing files back and forth via some fascinating and futuristic transfer protocol. A credit to both parties, then, that the album sounds as good as it does. Led by its founders, drummer Max Ear and vocalist David Martin, OJM’s brand of rock knocks heads with classic garage thickened and updated, offering catchy Monster Magnet-s t y l e hard rockness on “I’ll be Long” and “Cocksucker” with guitarist/backing vocalist Andrew Pozzy (who used to play bass) turning down the fuzz as compared to a song like “Rainbow” to bring out a different feel.

As Volcano is 35 minutes long, and “Oceans Hearts” accounts for about 20 percent of the album, it’s worth looking at the track specifically. It’s three solid minutes longer than “Cocksucker” at 7:13 and undoubtedly OJM’s most fleshed out track. Martin, who proves a versatile and capable singer throughout offers a passionate delivery tuned rightly to the music’s gradual build. Bassist Stefano Paschi, who started off Volcano on the Atomic Bitchwax-esque instrumental opening intro “Welcome” with gloriously thick fuzzality offers probably the best bassline of the record as he takes charge of the song’s final couple minutes, and where the rest of Volcano seems streamlined and pared down to its essential components (Paschi also contributing organ to “Wolf” and several of the other tracks), “Oceans Hearts” has more breathing room and a more laid back approach, making it an effective change of mood. All the more so because, contrary to what one might expect, it doesn’t close the album, or even the first half, instead placed right after an opening salvo of three tracks all under three minutes long.

The back half of the album, kicking off with the aforementioned “I’ll be Long” and “Cocksucker,” speeds up to punker pace with “Disorder” before the more psychedelic “Escord” takes hold. “Escord” probably wouldn’t have worked anywhere but in its spot nestled just before “2012” closes Volcano, but it’s well done nonetheless. Martin’s vocals step back into a cave of reverb and the tempo takes a step down to a grooving middle flow while Paschi again offers a killer bass line and Pozzy gives a freewheeling solo that fades the song out. It’s a (again) well-placed lead-in for “2012,” which takes the energy down even further, to a song that’s still brightly toned, but maybe a little moodier -- still orange, but a little deeper in the shade, if you want to put a color to it. With “Oceans Hearts” eating up so much of the focus early in Volcano, the closing duo offers appropriate decrescendo, once more displaying OJM’s maturity in songwriting and album construction.

Volcano is my first experience with the band after hearing and seeing their name for years since their debut Heavy LP in 2002, and I’m sorry to say it’s taken me this long to experience the band. Blame import prices. I don’t imagine OJM started out with this kind of persona or confidence, and it’s likely Catching was a factor in bringing that out -- even from a distance -- but I’m glad to have caught them with it now, as it has made Volcano among the better of the genuine riff rock albums I’ve heard this year. In this age of expanded-definition stoner when just about anything seems to qualify as long as it has a catchy riff, it’s reassuring to know that there are acts like OJM out there giving new life to the rooted conventions of the s t y l e. I’ve got my work (and my money) cut out for me in investigating their back catalog, but if Volcano is any indicator, it’ll be well worth the time.

(From Go Down Records)

OJM - Volcano (2010)






Monday, July 11, 2011

No Na Na Na


The Shoes were in the sixties a Dutch Beat band with the worldwide hit classic Na Na Na.
Now there's a band with the same name from Forli, Italy. The Shoes is a trio that plays a combination of (70's) Hard Rock, Psychedelic and Blues. Their self-titled debut album is another excellent release by Go Down Records.
The album kicks off with the awesome track Need To Show It. This song sets the tone of what is coming. It is great music with Rock 'n' Roll attitude. Their music includes catchy guitar riffs, a groovy and energetic rhythm section and some good vocals.
Thereby is there also room for some great freak out experiment parts in their songs and even some nice and easy acoustical parts.
The Shoes has for sure presented an impressive piece of work with this album! Enjoy!

The story of The Shoes begins back in May 2005. Guitarist and singer Elio Di Menza wanted to form up a trio which was to follow in Cream and Jimi Hendrix Experience’s footsteps. Together with bass player Pierluigi de Pierro and drummer Valerio Scollo, the band recorded a demo that won praise from the music circuit in Taranto, the band’s home town. The fair success of the demo led the band to play its first gigs in local bars, where The Shoes mixed blues with psychedelic music and audiences were blown away by its picturesque performances with acid and powerful sounds. After a few months, Valerio left and drummer Lorenzo Velle joined the band, recording the first album of the group which was played live. The band later played in several concerts all over Italy: the experience made the band develop more mature sounds. The band changed once again its members when bass player Marco Pizzolla and drummer Andrea Basile joined The Shoes. Thanks to this new line-up the band acquired more expressive freedom and improvisation abilities that are already evident in the band’s latest tracks.
(Their bio)

The Shoes - The Shoes (2010)




Wednesday, June 1, 2011

Damned Love


First of all I like to thank Max from Go Down Records and the band OJM for sending me a nice package of CD's from his label!
Damned Love from the band The Sade is one of these CD's. The Sade is a band from Padova, Italy. This trio is formed by Andrew of the band OJM and they play awesome music with various styles. The base of The Sade is Rock 'n' Roll, that is blended with Hard Rock, Stoner Rock, Blues and even a pinch of punk. The songs from Damned Love are most of the time up-tempo and energetic. Some of the vocals reminds me a lot of that guy from The Eighties Matchbox B-Line Disaster. The highlight of this album is the last track called Alcoholizer. This is a delicious lingering song. In short terms: An excellent album! Enjoy!

THE SADE are a trio, hailing from the north east of Italy. They were born in the summer of 2008, thanks to Andrew Pozzy (former bass player and now guitar player of OJM) and Mark Kimberly, who at that time was playing in a Motorhead tribute band. The original idea was creating an OJM side project, in order for Andrew to practice guitar, which he had played in the band Ashtones, before joining OJM as a bass player. The duo was soon joined by Mat Zoombie, former drummer of Zoo.

After unsuccessfully auditioning several singers, Andrew himself picked up the mic and became the singer, guitarist and irreplaceable songwriter in the band. THE SADE immediately kicked off and played a number of crowded and warmly welcomed gigs in their area.

In 2009, after many live shows and counting about ten tracks in their whole repertoire, they set about making their first EP, recorded and mixed by Franz Fabiano and produced by Andrew Pozzy. This self produced ep contained 5 tracks that summed up the band's first year and as soon as it was ready they started a series of promotional live shows all over Italy, sharing the stage with many italian and foreign bands ( Lords of Altamont, Atomic Workers, Paperback Freud, Brant Bjork, OJM, Dollhouse, Small Jackets, Frigidaire Tango, Thee Stp among others) and opening for the MISFITS and GILBY CLARKE (ex Guns n' Roses). The tour ended in the summer of 2010 and the band concentrated on writing and arranging new tracks.

After a pause, punctuated with the odd live gig, the band set about making a debut album. In January 2011 they entered the studio and gave birth - with the essential help of Maurizio "Icio" Baggio - to
"DAMNED LOVE", which is distributed by Go Down Records and was recorded and mixed at the Hate studio in Rosà - Vicenza. Shortly after that they made a video for the album's first single "DEAF LOVE". The record will be released in April 2011 and the tour will start in the same period... Stay Tuned for more damned rock!!!
(Their bio)


The Sade - Damned Love (2011)




Monday, May 16, 2011

Motorwolf III


A long time ago I've posted the compilations I and II of the Motorwolf label. Now I offer you Part III: Drug Rock Motorpunk. It is a collection of very nice songs that were recorded at the Motorwolf studio. Check out the tracklist and maybe there is something that you might like. Enjoy!

Tracklist:

1. Locked Away (Dzjenghis Khan)
2. Injuns and Cowboys (Feersum Endjinn)
3. Anal Wonderland (Catacumbas)
4. Lonely Days (Blues Junkies)
5. Germfreak (Annihilation Time)
6. Homophobe (Adolf Butler)
7. Hindsight (Grand Voice)
8. Cock on the Loose (Roccos)
9. All Fall Down (Weltmeister)
10. Scorpio (Sfthick)
11. Lord, Help Me Please (Orange Sunshine)
12. The Man (Tiger String Ensemble)
13. Blackeyed Woman (Lucid)
14. My Turn (Moby Dick)
15. Out of Control (Sonic Litter)
16. Ride Tonight (Twin Earth)
17. Mother Superior (Sunwheel)
18. Fish (Church of Misery)
19. Freak Cult (Plutonium Nyborg)
20. Just the Same (Al Naafiysh)
21. What is Love? (Slave Camp Boogie) (Santa Cruz)

Various Artists - Drug Rock Motorpunk III(2009)



Wednesday, May 4, 2011

Under The Thunder


Under The Thunder is the fourth album by the Italian band OJM. This band plays some awesome Rock 'n' Roll orientated Stoner tunes. According to their record label Go Down Records, OJM is influenced by bands like Led Zeppelin, Blue Cheer, Stooges, MC5, Black Sabbath, Grand Funk Railroad, Kyuss and Fu Manchu. It is obvious that there is a lot of inspiration present of seventies music. Under The Thunder is a great album by a great band! Enjoy!

OJM were formed in Treviso, Italy in 1997. Since the very beginning both the Italian music press and rock ’n’ roll scene in general seemed to show a certain interest toward the band due to their personal style displaying rough guitars with a psychedelic touch and hints of Blue Cheer, Black Sabbath, MC5 and Grand Funk.

Their first recording "Extended Playing", released on Agitato Records / Venus in the February of 2001, sold over 1,000 copies. In March 2002 the label Beard Of Stars Records / Self released OJM’s debut album “Heavy” which was produced by Paul Chain and, with the help of the video “The Sleeper” on rotation on the main alternative TV channels, went sold-out in few months. The co-operation with Paul Chain continued in October of the same year when Massimo (drums) and Matteo (bass guitar) recorded with him two tracks for the album “Container” (released by Beyond Pro.) and followed him on his Italian tour. Thanks to “Heavy” the band started being acclaimed outside Italian borders, also corroborated by Beard Of Stars’ worldwide distribution (Cargo, Century Media, Abraxas, High Been Music, Self) and by a large number of interviews and good reviews that appeared in the foreign press (Kerrang!, Stonerrock.com, Stonedgods, Greek and French Metal Hammer, etc…).

OJM’s musical attitude had meanwhile started exploring different soundscapes, more rock’n’roll-oriented, the result of the which eventually being a split 7” with the British band Gorilla, again on Beard Of Stars.
In October 2003 the band went back to the studio to work on “The Light Album”, released in September 2004 on Go Down Records and distributed in Italy by Audioglobe and in Europe by Sonic Rendevouz / Cargo. The album was entitled “light” because it marked a subtle change in their musical orientation, as the “stoner” attitude of the very beginning made way to a garage and psychedelic sound still keeping its impact and loudness but in a rougher way: rage turned into aggressiveness!
The video (and first album single) “Talking About Revolution” brought OJM on the main music TV networks in Italy (MTV, ROCK TV, ALL MUSIC, YOSTV, etc) and gave them significant public and critical acclaims.
As far as their live career goes, OJM can boast hundreds of gigs and two UK tours, intense and wild performances supporting several legendary bands such as DKT/MC5, IGGY AND THE STOOGES, THE DATSUNS, Motorpsycho, Brant Bjork, Lords Of Altamont, Gorilla, Marlene Kuntz, Hardcore Superstar, Nebula, Josiah, The Fleshtones and many more.
After the release of “The Light Llbum” the line-up changed. New entries Alex Germany (guitars, replacing Frank Puglie) and Andrew Pozzy (bass guitars, replacing Mojomatics’ Matt Bordin) enforced their impact and their groove resulting into a mixture of psychedelia, stoner and rock’n’roll…. Zeppelin-oriented and sonic at the same time!
In July 2005 OJM entered the studio once again, this time with Brant Bjork as a guest and to record the songs which would be soon released on the “I Got Time” 7”.

In March 2006 they began working on the new album with a remarkable producer: Michael Davis from the legendary MC5! Their efforts would be eventually released in November 2007 on Go Down Records / Audioglobe in Italy with the name of “Under The Thunder”. After the album came out, the band plays in Europe: three UK and two European tours (Germany, Spain, France). “Under The Thunder” sold more than 3,000 copies all over the world and comes out on vinyl for Garage Records / Goodfellas.
In April 2008 first OJM’s live album “Live In France” was released, initially on free download only (7,000 downloads) and exclusively for Rockit.it and then on blue vinyl in 500 numbered copies for Go Down Records.
In July 2008 they were invited to the most important German stoner festival Stoned From The Underground and co-headlined the event with The Atomic Bitchwax and Witchcraft.
In December 2008 they embarked on a 10-show tour with EEviac, a special show that saw the band surrounded by 4 screens and a minimal stage décor and that merged sounds and colours in a psychedelic atmosphere performed live by EEviac.
After a break following the “Under The Thunder” tours and the EEviac Rock Shows, OJM have returned to the stage with a very special line-up! David and Max have kept their usual roles behind microphone and drums while Andrew Pozzy has embraced guitar (after his experience with The Sade) in substitution of Alex (forced to leave the band for a few months due to personal reasons). The fourth member is Stefano Pasky who handles piano-bass and organ, previously occasional OJM’s guest on their EEviac Rock Show and currently essential member of Poison Deluxe which also feature Max on drums and Frank Puglie (ex-OJM) on guitar. OJM are exceptionally performing a special show displaying the classic OJM “trademark” though evolving with a more psychedelic and less speed-rock’n’roll vein, proposing a more vintage yet less aggressive hard rock!

In November 2009 OJM will be back to live action again for 4 shows, including the special ten-year celebration night of the fanzine VINCEBUS ERUPTUM which will release a special number (in cooperation with Rumore staff) with a cover showing a drawing of Malleus’.
Fifth OJM album will see the light in September 2010 on Go Down Records produced by Dave Catching (Eagles Of Death Metal, Queens Of The Stone Age).
(Their bio)

OJM - Under The Thunder (2006)




Saturday, March 26, 2011

Straight From The Gutter


Do you remember the band 180 Proof that I've posted earlier before here? These Aussie dirty rockers are back with a new EP. This EP called The Gutter Sessions Part 1 – The Filth and Freedom Overture is filled again with Sleazy Hard Rock 'n' Roll. 180 Proof offers you with this new EP three new tracks and one song that already did appear on their promo EP. The Gutter Sessions: Part 1 – The Filth and Freedom Overture is another proof of the kick-ass filthiness that is performed by 180 Proof. Enjoy!

180 Proof's latest EP “The Gutter Sessions: Part 1 – The Filth and Freedom Overture” was recorded and released completely independently by the band, from their own studio in the back of a motorbike workshop in inner city Melbourne.
(From their info sheet)

180 Proof - The Gutter Sessions: Part 1 – The Filth and Freedom Overture (2011)





Monday, February 7, 2011

Australian Kick-Ass Rock 'n' Roll


Thanks to the guys from 180 Proof for sharing their promo EP!
180 Proof is a Hard Rock trio from Melbourne, Australia. Their music has also some Blues, Punk and Sleaze influences. Their promo EP contains three songs with the revealing titles like It Sucks To Be You, Go Fuck Yourself and Suck it. The music shows a no-nonsense and straightforward attitude. In other words, we've got to do here with first-rate kick-ass Rock 'n' Roll! Enjoy!

180 Proof are a 3 piece rock band from Melbourne, Australia. Combining the best of blues-based hard rock, classic metal, and old school punk attitude, 180 Proof are making a mark playing lean, mean, rude, crude, sleazy, nasty rock and roll with catchy, filthy choruses and massive riffs.

Guitars/Vocals: J.J. Mötherfücker
Bass/Vocals: Professor Serious
Drums: Andrew "Andy" Andrews

(From their bio)

180 Proof - 180 Proof Promo EP (2010)



Sunday, November 21, 2010

Ridin' The Tiger


Gluecifer is a Norwegian Rock 'n' Roll band. I've seen this band playing as support act for The Hellacopters back in 1998. And that was quite impressive!
Ridin' The Tiger is their debut album from 1997. This album is influenced by bands like Motorhead, Black Sabbath, The Rolling Stones, MC5, The Stooges and so on. There are also similarities with another Norwegian band called Turbonegro. It is not only Rock 'n' Roll that Gluecifer plays, but also a perfect combination of Garage Rock, Hard Rock and Punk. Great songs are: Leather Chair, Rock 'n' Roll Asshole, Bounced Checks, Evil Matcher, Rockthrone and Burnin' White. Enjoy!

Formed hot on the heels of the Norwegian trendsetters Turbonegro, and pre-empting the Scandinavian garage rock revival by quite a few years, Oslo-based quintet Gluecifer made their full-length debut with 1997's surprisingly memorable Ridin' the Tiger. And, although they were clearly steeped in the same, post-glam, pure rock urges of their denim-clad, N.A.M.B.L.A.-loving heroes, there was also something decidedly Motörhead-ish about Gluecifer's brand of speed-addled psychosis (a feature also espoused by labelmates like the Hellacopters and the Backyard Babies, let it be said). The proof is in the pudding, as they say, and the pudding here contains a steady recipe of pedal-to-the-metal racers ("Leather Chair," "Evil Matcher," the self-evident "Burnin' White"), only interrupted by nearly as teetotal laughers like "Rock'n'Roll Asshole" and the wonderfully dangerous "Rockthrone." In fact, the members of Gluecifer were still so hopelessly addicted to that rush at this stage in their career, that they only find time to stop maniacally pogo-ing around the room on two or three occasions; and it's fair to say they sounded rather more ill at ease than self assured on the purposefully slick "Bounced Checks," the intensely groove-based "Titanium Sunset," and the amusingly warped "Obi Damned Kenobi." Still, for a debut album Ridin' the Tiger was a more than capable and even promising first step on Gluecifer's lengthy run.
(By Eduardo Rivadavia at Allmusic.com)

Gluecifer - Ridin' The Tiger (1997)



Dirty Women


Dirty Woman is the fourth album by the Kentucky band The Glasspack. This band plays some kick ass Rock 'n' Roll with strong Stoner vibes. This album contains some great songs with a lot of fuzz guitars! Dirty Woman is absolute a great album, that at least one time must be heard! Enjoy!

On album number four, Kentucky rockers the Glasspack strike a midpoint between the '60s-obsessed garage rock revivalists and the '70s-obsessed likes of Wolfmother and Jet. Boogie is the operative word all over the genially lecherous Dirty Women, which is filled with the kind of walking-pace riffs that bands perform with their heads down and nodding in unison: think Status Quo or even Foghat. But the Glasspack cut the plodding tendencies of '70s boogie with a double dose of Nuggets-style snot rock on tracks like "Fastback" and "Fire in the Trailer Park." So the operative album to compare Dirty Women to is the Flamin' Groovies' career high point, Teenage Head: it's not nearly as good, but it has a similar blend of cock rock swagger and British Invasion-derived hooks. That is, until the climactic "Louisiana Strawberry," a full-tilt boogie jam that slogs on endlessly for an interminable 11 and a half minutes, which is particularly ironic since even at a tight two minutes 30, it would be one of the album's weaker tunes. Aside from that dull misstep, Dirty Women rocks mightily and unpretentiously, and who could ask for anything more?
(By Stewart Mason at Allmusic.com)

The Glasspack - Dirty Women (2007)



Wednesday, November 10, 2010

Radio Garage


This energetic beauty was shared with me by the band Radio Garage!
Radio Garage is a band from Lima, Peru. This band plays a combination of Rock 'n' Roll, Punk, Metal and Hard Rock. Their full-length debut album kicks ass! Radio Garage offers you eight great songs that will make your body move or at least it lets your head bang! You can also download their EP from 2005 on their Blogspot. Enjoy!

5 years after forming, and after lineup changes Garage Radio released their debut, new and old tracks reworked with a new sound and attitude as always, rock n 'roll to pure machine in 8 songs where Fernando Acosta (Under ) Kaminoisee (guitar), Oscar Soto (drums) and Ricardo Barandiaran (guitar, vocals) shed more visceral influences, from rock n 'roll dirty "Sinner" to obscure passages of the metal in "Servant." Garage Radio was formed in 2005 by Acosta and Barandiaran, who after going through various experiences in hardcore and punk bands, they decided to combine forces with old friends, Alfonso Chacon on drums (Kronocidio, Berserker, Ching Dynasty) and Coco Maple guitar (Kronocidio, Concrete) and began playing in local band circuit, they release a 4 song EP via Deskicia discs that get good reviews, then after exhausting tour concerts bars and holes appear in the compilation of web rockperu . org with two new songs after this, and many events, the band goes into a brief recess, which Alfonso and Coco out of the band to make way for the next stage with Kaminoisee (Macondo, God boredom, The Air ) and Oscar (Helldrunk) where the road takes you started recording the eponymous album on par with a string of gigs where the band earned the respect of the public and other bands, while the disc even finished editing, a new issue arises subsequent sessions to the compilation of Berraco Records label, the song "xdrmmr / a being without a name" is part of the horizon where he leads the group not to forget the raw and wild rock that is his trademark.
(Their bio translated with Google Translate)

Radio Garage - Radio Garage (2010)



Thursday, November 4, 2010

Integrity Technology And Service


The first time I encountered Gas Huffer was on a split single with Mudhoney. Gas Huffer is a foursome from the state of Washington, U.S.A. This band plays a nice combination of Garage, Punk and Rock-a-Billy. Gas Huffer somehow reminds me of The Cramps. Integrity Technology And Service is their second album and it contains thirteen energetic tracks. Gas Huffer played their last show in 2006. Enjoy!

Gas Huffer don't change one darn thing on its second album -- and that's perfectly fine. In fact, it's great! Integrity, Technology & Service is again produced by Jack Endino, the emphasis once more on crazy, entertaining, classic, punky raunch and roll moving at 200 mph. One of the band's all time great songs is here, "Do the Brutus." Their own version of a hot new dance trend starts with a brisk, killer bassline from Don Blackstone and then makes it from there -- as Wright chants, "throw back your head like you're gonna sneeze!/Do the Brutus, it's quite a hootus!" It looks like Wright himself is pulling off that move on the inside photo, for that matter. As on other releases, many song titles convey the atmosphere here better than other words could: "Overworked Folk Hero Guy," "Remove the Shoe," "Sandfleas," "Where Wolfmen Lurk." Wright, as ever, is a perfect frontman for the whole shebang, with plenty of the same immediate rough charisma as his fellow appreciator of hot grooves and sideburns, John Reis of Rocket From the Crypt. Price smokes down all around him with both his economic solos and instantly memorable riffs, while Blackstone and Newton's rhythm section burns rubber several times over. Among the many pure delights are "The Piano Movers," a wry tale of working grunts and a day of disasters on the job, and "Bomb Squad," a similar tale of a slightly more dangerous line of employment with a wonderful "hit the deck, she's going to blow!" backing shout. The "I.T.S. Credo" sums up the appeal of the whole album, as Wright sings on top of another fast-paced garage jump-up, "it's the credo we abide by every single day." Major points as well for the gas station-inspired uniforms on the back cover, years before that became an overdone trend used by unappealing trendhoppers.
(By Ned Raggett at Allmusic.com)

Gas Huffer - Integrity Technology And Service (1992)