Showing posts with label John Garcia. Show all posts
Showing posts with label John Garcia. Show all posts

Wednesday, December 22, 2010

Dare I Say...


After Kyuss, Slo Burn and Unida is Hermano the fourth band of John Garcia. Hermano has released three awesome albums and Dare I Say... is the second one. This album is full of great Stoner/Desert/Hard Rock tunes, as we can expect from John Garcia. The voice of Garcia is again of major importance with this band. It is always a pleasure to hear his voice. Great songs are: Cowboys Suck, Life, Quite Fucked, Murder One and Angry American. Enjoy!

Considering the tough luck (especially with labels) of few of Hermano's members have been through, it's almost a miracle the band actually stuck together to record this highly anticipated second album, which many predicted would be their true debut album, as opposed to the scattershot affair that Only a Suggestion was a few years ago. And indeed, Dare I Say… does feel more cohesive, even though the band repeatedly steps out of the stoner/desert groove mould, and it actually is a full-length album (the debut only contained 7 actual songs and was usually treated as a long EP). However, good intentions do not always result in worthwhile material, and this sophomore album definitely has its flaws and share of less impressive material. What the band does have in heaps, is energy, as the brash "Cowboys Suck" immediately makes clear with a middle-finger raisin', scorchin' groove that'll burn off your eyebrows and sideburns. The lyrics contain too much clichéd imagery and the music's too straightforward to tower above their contemporaries' releases, but of course there's John Garcia, and very few singers out there can bellow and holler like this guy, whom many still consider to be the ultimate stoner vocalist. There's certainly a case to be made for that statement, as his delivery (often seething with energy) and the diversity his displays is quite impressive: during the rumbling "Life," which seems to reconcile late-period Kyuss with early QOTSA, for instance, his vocals switch from mellow whisper to righteously nasty scream in a split second.
The QOTSA-name actually rears its head regularly during the course of the album, most of all during the typical robot-rock of "Is This O.K.?", which needs a Garcia shifting into a higher gear to find its truly own voice. Despite the similarities to the releases of former band mate Homme, Hermano contains to exude their own brand of energy again. Looser and bluesier than QOTSA, they come off as more spontaneous and more traditional: you'd never find anything as direct as "Roll Over" or as simple as the acoustic blues of "Murder One" on an album by the Queens. The hostile atmosphere of the latter pops up throughout the entire album (and the cover art), turning it into quite an angry, even bitter, document. While this not always works to their advantage - in fact, the endlessly repeated "Go, motherfucker, go" of the metronome-raunch of "Quite Fucked" gets fucking annoying after a while, and so does the adolescent, humourless ranting of "Angry American" - this indignant energy also infuses the album with a stubborn pulse that keeps it from becoming a bore. As such, the mildly enjoyable "On the Desert" and quite generic "My Boy" are easily redeemed for by excellent tracks such as "Brother Bjork" (a dramatic, almost pompous anthem that gives Garcia the opportunity to show what he's got) and the vicious album closer "Let's Get It On" ("I'll make a motherfucking mess out of you"). On the one hand, the band definitely comes off as a determined unit, which pays off in the energy department, but on the other hand, Dare I Say… also contains too much unexceptional songs to smack you against the wall - which is exactly what you expect from this band. Nothing less. Other bands would probably sacrifice a limb or two to come up with an album like this, but I can't get rid of the opinion that these four troopers could and should have achieved something even better.

(By Guy Peters)

Hermano - Dare I Say (2005)



Wednesday, June 23, 2010

Coupe De Grace


Coupe De Grace is the fourth album from Orange Goblin. This album has compared with the three previous albums some more Rock 'n' Roll attitude. The album starts with the awesome song You're World Will Hate This. John Garcia does participate at the great song Made Of Rats. Getting High On The Bad Times contains some very nice guitar passages and We Bite is a well performed Misfits cover. So I can say Coupe The Grace is an excellent album. Enjoy!

“FFUUUCCKK!” is the first roar you hear on this album and it pretty much defines my opinion about it as well. Hot damn, this is an unapologetically hard-rocking affair. Frill-less, down-to-earth, straightforward and heavy, VERY heavy, with a thick, muddy guitar sound and hoarsely shouted barks that are as refined as G.G. Allin’s notion of stage behaviour. Whereas their third album, The Big Black, witnessed them continuing in the vein of stoner-metal motherfucker Time Travelling Blues, but even more spaced-out, Coup de Grace is a kind of return to the basics. Their lumbering heaviness still ensures them a spot amongst colleague-stoners, but this is much less about spacey-ness, neo-psychedelic grooves and mind-expanding trips. Instead, they shove a bunch of warted, heavy-as-hell riffs and rhythms down your throat that’ll leave you breathless for quite a while. With two guitarists who both intend to take their amps to the limit, a rhythm section with the finesse of a bull with rabies and a vocalist who sounds badder than the meanest street fighter, Orange Goblin sound like a band you don’t wanna mess with on their fourth album. Produced by Scott Reeder (Kyuss, Unida), it’s an album that’s almost as much punk as metal, raw and direct. Just listen to the brief “You World Will Hate This” and its comic book lyrics (“Turning you on to a world of shit, twisted beyond a return, filling your brain with a lot of cocaine, cos’ I got money to burn”) and you’ll realize this is an altogether matter than before. But there’s more where that came from, lots more: single “Monkey Panic” boasts a great, pounding chorus, “Whiskey Leech” turns ‘80’s hard rock inside out and takes a dump on its bloated corpse (well yeah, this album makes you turn to other imagery than usual, bloke), and “Getting High on the Bad Times” is guaranteed to make you dream up imaginary scenarios full of venom, violence and assorted vices. Quite surprisingly – because this is not where you’d expect him – stoner icon John Garcia also adds his two cents during the thrilling “Made of Rats” (the moment when his vocals go together with the acceleration of the bludgeoning main riff is pure gold) and the interestingly titled “Jesus Beater.” Of course it’s all over the top – and the artwork fits the music perfectly -, but those who’ve been familiar with the band of course know that behind the hooligan-attitude and brutal rock, these are plain guys who dig good, old-fashioned fun, soccer games and the gentle art of applying headlocks (as witness on their website, where you can see them at work while nearly suffocating Alice Cooper and other luminaries). Of course, this band is nearly an anachronism (why don’t they use loops and samples?), but I don’t know about you, but once in a while some unpretentious, bad-ass rock ‘n’ roll is just what I need, and when I hear these guys tearing through The Misfits’ “We Bite” and churn out the Southern roadhouse boogie of “Stinkin’ O Gin,” my faith in the future of belchin’, ragin’, kick-in-the-balls rock ‘n’ roll is reinstalled. FFUUUUUUCCCCKKK!
(From Guypetersreviews.com)

Orange Goblin - Coupe De Grace (2002)



Monday, June 21, 2010

Garcia Plays Kyuss In Frankfurt


This is a pretty decent bootleg from the Garcia Plays Kyuss show at the Batschkapp venue in Frankfurt, Germany at the 11th of june 2010. I've heard the bootleg from the Roadburn show, but this one sounds a lot better. Enjoy!

Tracklist:

Disc 1:

Molten Universe
Thumb
Hurricane
One Inch Man
Freedom Run
Asteroid
Supa Scoopa And Mighty Scoop
Size Queen
Spaceship Landing

Disc 2:

Allen's Wrench
Whitewater
100ᴼ
Gardenia
Green Machine
(Encore Break)
El Rodeo
Pilot The Dune (Slo Burn)

Garcia Plays Kyuss - Live In Frankfurt (2010)





Wednesday, May 26, 2010

And The Circus Leaves Town


This is the fourth Kyuss album. And The Circus Leaves Town is considered by many as a lesser album. I disagree!. In my humble opinion this album is like Blues For The Red Sun and Welcome To Sky Valley an strong and awesome album! Take for example the songs Hurricane, One Inch Man and the fabulous El Rodeo. These are outstanding songs! So don't bother me with saying that And The Circus Leaves Town is the swan song of Kyuss. Enjoy!

The desert does funny things to people, whether their ambition in life is biking, making music or just just playing golf. There's a certain vibe and atmosphere that one can only attain and properly understand by living in the desert. Kyuss, the lamented broken up group from the Mohave of California and veterans of the generator desert party scene, are one of the most prominent examples of desert metal (perhaps the only one, now that I think about it). Using ultra low grooves and slightly askew song structure, this final album from the band is a somewhat tripping and very engaging look at the band's solid songwriting skills. Heavy on the jams which are slow paced but still quite enthralling and with the vocals buried low in the mix (which only adds to their power), the entire album has fluidity. Guitarist Josh Homme deserves some recognition for his very unique style--you won't find anyone who sounds like him--as his bizarre tuning of his instrument is what gives Kyuss identity. The best tracks (and there are many) inlcude "El Rodeo" and the meandering "Spaceship Landing". Make this your retro pick of the week.
(By John Chedsey at Satan Stole My Teddybear)

Kyuss - And The Circus Leaves Town (1995)



Welcome To Sky Valley


Welcome To Sky Valley is the third album of Kyuss. This album contains ten songs which are spread over three parts. Great songs are: Gardenia, Asteroid and Demon Cleaner (This song is an absolute classic!) Enjoy!

After creating a classic with their second album, Blues for the Red Sun, desert metal gods Kyuss faced the unenviable task of delivering the goods once again for a new label, Elektra Records. And they almost pulled it off with 1994's stellar Welcome to Sky Valley. The album's 13 songs are divided into three "suites" which fully display the band's impressive creative range, from furious metal to psychedelic grooves, and anything in between. The first and most consistent of these suites starts with the huge guitar riff of "Gardenia" (which resembles molten lava flowing down the side of a volcano), continues into the moody space jam instrumental "Asteroid," and culminates in the strangely titled yet superbly diverse "Supa Scoopa and Mighty Scoop." Other highlights include the solid thrashing of "100 Degrees," the prog rock instrumental "Whitewater," and the rather mellow (by Kyuss standards) "Demon Cleaner." But no song exemplifies the Kyuss sound as well as the aptly titled "Odyssey," which opens suite number three and provides a veritable blueprint of the band's unique combination of ingredients. The track begins with a cryptic melody, explodes into a ferocious riff, glides into a psychedelic bridge, then returns to full-throttle for its conclusion.
(By Eduardo Rivadavia at All Music Guide)

Kyuss - Welcome To Sky Valley (1994)



Blues For The Red Sun


Next sunday I'm gonna see Garcia Plays Kuyss. Because of that I have to post my favorite Kyuss albums.
I think Kyuss doesn't need no introduction. This band is one of the first of what's been called today as Stoner Rock. The first album that Kyuss made was Wretch. This is a good album, but it is not one of my favorites. Blues For The Red Sun is their second album and it is an awesome album. Enjoy!

With Josh Homme's guitar tuned down two whole steps to C, and plugged into a bass amp for maximum distortion, stoner metal pioneers Kyuss achieve a major milestone in heavy music with their second album, 1992's Blues for the Red Sun. Producer Chris Goss masterfully captures the band's unique heavy/light formula, which becomes apparent as soon as the gentle but sinister intro melody gives way to the chugging main riff in the opener, "Thumb." This segues immediately into the galloping "Green Machine," which pummels forward inexorably and even features that rarest rock & roll moment: a bass solo. "Thong Song" alternates rumbling guitar explosions with almost complete silence, and "Mondo Generator" plays like an extended acid trip. The slow build of the epic "Freedom Run" and the driving "Allen's Wrench" are also highlights, and though the album is heavy on instrumentals, these actually provide a seamless transition from song to song.
(By Eduardo Rivadavia at All Music Guide)

Kyuss - Blues For The Red Sun (1992)



Thursday, May 20, 2010

Re-Post Request: Coping With The Urban Coyote.


Some one asked for Unida, so here it is! This album was posted before here. I love to post it again because the end of this month I'm going to see Garcia Plays Kyuss in Amsterdam.

Unida - Coping With The Urban Coyote (1998)



Thursday, September 10, 2009

Between SLO BURN And HERMANO.


Unida's Coping With The Urban Coyote is John Garcia's second attempt after leaving Kyuss. Slo Burn was great, but with Unida the music sounded better and there was more progression in the songs. Thorn, Black Woman and the epic You Wish are really great songs.
If you're a guitarist, try to play Black Woman. It's real fun.

Unida's debut album Coping with the Urban Coyote marks a sharp musical turn for singer/songwriter/guitarist John Garcia, toward straight-ahead hard rock and away from his artier work in Kyuss and Slo Burn. Songs like "Thorn" and "Blackwoman" are loud, propulsive rock excursions, featuring Garcia's emotive, classic rock singing, and only the relatively gentle finale "You Wish" sees Unida vary from the tried-and-true hard rock formula.
(By Heather Phares at All Music Guide)

Unida - Coping With The Urban Coyote (1998)




Thursday, July 9, 2009

Between KYUSS And UNIDA.


This EP from John Garcia's Slo Burn is his first release after Kyuss. This EP is some later released with more songs on it.
John Garcia participated later in Unida and Hermano. He also did some contributions on Orange Goblin's Coupe De Grace (2002) and on Misdemeanor's Five Wheel Drive EP (1998). (Posted earlier on this blog here).

Slo Burn was a short-lived stoner rock band active during 1996 and 1997. The band was formed by John Garcia of the influential stoner metal band Kyuss, which had split up months previously. Garcia was joined by Chris Hale on electric guitar, Damon Garrison on bass guitar and Brady Houghton on drums.
In 1996 the band distributed a five song demotape, and in April 1997 released an EP entitled Amusing the Amazing through the record label Malicious Vinyl. According to interviews, Garcia claimed that the band also intended to record a full-length album. Slo Burn toured with Ozzfest in 1997 but decided to split up in September, towards the end of the tour. John Garcia subsequently joined the equally short-lived band Unida, before becoming vocalist with Hermano, who have since recorded three studio albums.
Slo Burn had a sound not dissimilar to that of latter-day Kyuss, which can be attributed to Garcia's singing style and the production work of Chris Goss. However, the music was more direct and less layered or complex. Allmusic describes their style as "simple structures formed out of monolithic rhythm guitars" with "guitar solos that come and go and vibrate weirdly on the way
."
(From Wikipedia)

Slo Burn - Amusing The Amazing (1997)


Saturday, February 7, 2009

These Chicks Rock!


Misdemeanor from Stockholm, Sweden is a cool female Stoner Rock band. You should really check this out.


"This is the first stand-alone EP issued by MeteorCity. This five-piece, all-female Swedish outfit ploughs through four loud and hard sludge-filled songs, recorded at California’s famous Rancho de la Luna studios and produced by Dave Catching and Brant Bjork, with John Garcia guesting on backup vocals for the last track. They’ve opened for Fu Manchu, the Hellacopters and other stars; finally their fans are getting the CD they deserve."
(From All That Is Heavy)


Five Wheel Drive (1998)